Ever since, as a child, I would sit and stare at the colored plates of flags of the world in the middle of the “F” volume of my parents’ Encyclopedia Americana, I have loved flags. I find the combination of aesthetics, history and politics fascinating.
I take my flags seriously. I have thus been known to mock the occasional national flag (e.g., the fact Mozambique features an AK-47 on its flag or that the Cypriots couldn’t think of anything better than a picture of Cyprus plus some very ironic olive branches). Likewise, I have often bemoaned the lack of creativity in flag design, especially the plague of the dull and uninspiring colored bar motif: two or three horizontal or vertical bars, sometimes featuring some symbol to break up the monotony, but more often plain. The prevalence of the colored bar motif is not only boring but confusing: Indonesia, Monaco, and Poland essentially have the same dull, two-tone red above white flag. On the other hand, I have been irked by the a surplus of creativity in more recent designs; just read the explanation behind the odd diagonals of the Seychelles and look at the resulting ’80s track suit of a flag. I suppose it is high time that I point out the flags I like for a change.
A note on methodology: this is not in the least scientific or internally consistent. Artistic merit and emotional response are probably the most important factors, but history and meaning sometimes matter. But not always.
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lbania. Many national flags incorporate national symbols or heralds; sometimes it works, and other times, it does not (e.g., Uganda’s flag has a Grey Crowned Crane, its national symbol, in the center, but the depiction of the bird is so small in relation to the rest of the flag that, at first glace, it looks like a chicken). Albania’s flag is an excellent example of the former: a silhouette of the classic, badass medieval double-headed eagle in black on a field of red (note that Montenegro also uses the eagle sigil, but it is a little too busy for me). It is simple and striking. I love it.
Switzerland. Yeah, I am biased on this one, but I love the Swiss flag. In enjoy the simplicity of the white cross on the red background, and the fact he flag is uniquely (save the Vatican flag) square. It gets bonus points for a very interesting history. But to truly appreciate the flag, you need to spend some time in Switzerland to see how the flag is put to use by a creative culture which is proud of its heritage and not afraid to show it. A bit of trivia, even though Red Cross founder Henri Dunant was Swiss and it is based in Geneva, there is no clear evidence that the Red Cross symbol was created by reversing the colors of the Swiss flag.
Bhutan. The flag features a dragon. A DRAGON. That’s all I need to know. Specifically, sprawled across the flag is “Druk, the Thunder Dragon of Bhutanese mythology“. And Druk is not at all pleased. Bhutan, I salute you. And besides the inherent genius of featuring a pissed-off dragon named Druk, I like the design: the diagonally-divieded fields of yellow and orange, the black and white simplicity of the dragon, and the fact the dragon is so placed that it seems to be crawling up the diagonal line. Classic.
Macedonia. There is an interesting and disturbing background to Macedonia’s flag, which is all wrapped up in the fact Greece has been bullying its young neighbor for years because Greece seems to think it has the sole claim to the culture and 3000 year history of Macedonia (which anyone who has read anything of Balkan history knows is absolute nonsense). If I had any control over the EU, I would make Greece get down on its knees and apologize to Macedonia for being such a dick before it got an iota of financial aid. When Macedonia first declared independence in the early 90′s, its first flag featured the Vergina Sun, a symbol used by ancient Macedonians. This, of course, was anathema to Greece. Those fine, upstanding Greeks then instituted a one year blockade of landlocked Macedonia to force them to take the Vergina Sun off the flag. Eventually, the Macedonians agreed to alter their flag, adopting a new flag in 1995 which, though obviously referencing the Vergina Sun, was different enough to assuage the Greeks. Thus, besides being visually striking, the new flag is a creative solution to a thorny, typically Balkan problem. This new flag is, in my opinion, beautiful. It is somewhat similar to the Japanese military Rising Sun Flag (the aesthetics of which I always appreciated), but without the baggage of history. I prefer the colors and the artistry as well.
Israel. I have always found the Israeli flag striking. The famously featured Magen David (“Shield,” not “Star” of David) is a visually arresting symbol, and the stark dark blue on white is simplicity itself. Of course, everything related to Israel is controversial, and the fact the hexagram Shield of David was the formal symbol of the Zionist Congress angered some, but I love it. And for the record, the blue horizontal bars are actually meant to reference a Jewish prayer shawl; I am thus granting the flag and exception to my “horizontal colored bars a boring flag make” rule.
United Kingdom. You did not seriously believe I forgot about the Union Jack, did you? Not only is the flag a graphic representation of the growth of the British Empire but it is beautiful in its slight incongruence (due to the “pinwheel” of St. Patrick’s Cross) and and lines of color. I find it interesting that both the oddly long 1:2 and 3:5 “war flag” ratios are official.
Kiribati. The fairly young Pacific island nations are a fascinating vexillogogical study: generally, these nations gained independence fairly recently, so their flag design is subject to more modernist tendencies; on the other hand, these nations on the whole lack a homogeneous cultural history so that they do not have a an ancient existing flag to resurrect or a wealth of old symbology to draw on (e.g., Macedonia) in the design of a new flag. Thus, the nations had a carte blanche in designing flags. In some cases (such as the aforementioned Seychelles), the creativity went overboard. In other cases (Tonga), they didn’t try hard enough. But I like what Kiribati came up with. Are you a bunch of atolls stretching over 1.3 million square miles of ocean? How about having THE OCEAN on your flag? I also like the weird, stylized sun raising above the waves.
Georgia. I’ve always liked the ancient (and recently resurrected) national flag of Georgia, partially it is because it is reminiscent of crusader sigils (particularly the Knights Hospitaller) and partially because it is aesthetically pleasing. Apparently, the ancient flag was originally a simple St. George’s Cross, like England, but the four quadrant crosses were added after the Georgians defeated the Mongols — a nice metaphor, I think, of how Georgia has straddled east and west throughout history. I would note the Georgian national flag is a vast improvement over the flag of the Soviet Georgian SSR and, for that matter, the State of Georgia.
Kyrgyzstan. It would have been hard for Kyrgyzstan to design a flag worse than the Soviets forced on them (yet more horizontal colored bars + a hammer and sickle). But I am impressed with what emerged: a sun stylized to represent a traditional Kyrgyz yurt, a design which is commonly seen across the nation. It is simple and striking.
Honorable Mention: Jamaica. A simple but effective design and I like the color scheme. But Jamaica deserves mention because the original proposal was for (of course), three horizontal colored bars, but they changed it to a saltire because it looked too much like another flag. Good for you Jamaica.